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Showing posts with label Toad Road. Show all posts
Showing posts with label Toad Road. Show all posts

Saturday, March 29, 2014

Contracted: Still on the fence between "Liked It" and "Really Liked It" let me know what you thought and help me decide.

I’m not gonna get my hopes up anymore. I probably would have loved Contracted had I not gotten my hopes up. It’s an independent horror movie, and that can mean anything. Toad Road? God I hope not. Absentia? I hope so. It was neither, and though closer to – it still was not a knock-out surprise that my wife and I found Absentia to be.

            I saw the preview of the movie, and still I thought the whole thing was going to be something more than what the preview hinted at. My wife did not see the preview and it wasn’t but a short while into the movie – probably around the time the Day 1 title card appeared – that my wife called what was going on. Again, I held out hope that it would all be something original, but alas my wife was correct once again.

            But then, so was I, to a degree, because it was done in a way that my wife and I agreed was original and an interesting perspective of a tired idea that was done very well for an indie movie.

            A movie is good if my wife will sit through the whole thing while having to look away more than once. If she doesn’t give up after having to look away more than once then she’s interested. I enjoyed the gross parts, crying out in discomfort (the scenes varying from massive menstrual blood – like multiple scenes of massive menstrual blood – to teeth being easily pulled out as well as nails being pulled off) but laughing at the same time.

            With everything that was good about this movie, the interesting take on an old idea, and the acting which was pretty good, the fact that it does still just all come down to something that we see way too much in movies now-a-days was a bit disappointing. The other part that hurt the movie was the fact that it takes quite a big step out of reality to keep the story going.

            The effects of the disease on the girl are intense and gross and her acting is well done so that it all combines a sort of tense dread and sorrow for the girl, but the way the story is written is has her reach a point of grossness that it is nearly impossible for the people around her to ignore or just pass off as her being sick – and yet they do, even the doctor reacts to things in a way that is completely unbelievable, and it is these moments that really hurt the movie.

            It may be unfair, but when a movie is really good, the most minor mistakes seem to be much bigger than they are because the rest of the movie is so good.

            I just did not understand why she had to be at the level of grossness that she was at and still she needed to do things that moved the story forward that made it unbelievable that she would even try to do those things with the state that she was in. Why not have her NOT be so gross, keep the story going, and then at the end reach that level when she essentially becomes the monster? She’s a good looking girl, I can admit that, but there ain’t no girl good looking enough (sorry to my wife) that I’d kiss, much less sleep with, when they got the sort of things going on with their body that this girl has – but in this movie, a guy can get over her teeth (rotting? Hello bad breath!), her skin (nothing a vat of lotion would probably still not help). I mean, at this point it’s clear what’s going on so there’s gotta be some obvious signs, smell, feel, taste, that would turn a guy off. Not the guy in this movie though, this guy powers through all that stuff like a pro and get’s the job done (if there’s a sequel, I’d love to find out if the sex was worth it for that guy).

            This movie is an origin story, and through all the bad parts in this movie, it’s not a bad movie, and though my wife said she’d put she liked it, I was on the line between liked it an really liked it.

            My wife said that this was the most disturbing movie she’d seen since The Human Centipede. Yes, my wife actually sat through that whole movie, and I will forever love her for that and will forever proudly tell my friends, family, and complete strangers how awesome my wife is for doing such a thing. Granted she hated it, but she watched it all, and that says something. Of course she didn’t watch the second one, but my wife and I – we’ll always have the first Human Centipede.

            Now I would not say it’s like the Human Centipede, even the gross factor is not the same, but my wife disagrees, so – whatever. Maybe it is, but I stand by my own feelings that this movie and the Human Centipede are not even close to being similar, this movie is gross and all but not like Centipede gross.

            A total bonus of this movie though is Dave Holmes. The minute he walked into the movie I had this smile on my face, and his one scene is hilarious and I had to pause the movie to fill my wife in on the history of Dave Holmes, and if you don’t know it then don’t read my blog, just get out, seriously. If you do know it, correct me if I’m wrong, but back in the day MTV would have competitions to see who would be the next VJ (trying to make it a big deal since it hadn’t been since the glory days of Tabitha Soren) and Dave Holmes actually lost to some weird guy named Dude, or something like that. Anyway, the weird Dude guy did like a few gigs as a VJ but it was Dave Holmes who ended up becoming like a guest VJ and got all the cherry gigs and went on to star in a few movies. Not sure what happened to Dude.

            Anyway, it was cool seeing him in this movie.

            I digress, though I’m pretty much done anyway. It’s not a bad movie, and with lower expectations it would be a pretty good movie, which, I guess that’s why I’m here, to lower you expectations of movies streaming on Netflix as well as blogs.


            You’re welcome.

Saturday, January 18, 2014

Netflix Movie Review: Toad Road

My wife and I tried to watch Toad Road. We did some fast forwarding. We did not enjoy it. Netflix described the movie:

Feeling he’s living a meaningless life in a small town, disaffected junkie James jumps at the chance to escort newcomer Sara to Toad Road – and risk whatever may happen as they pass seven wooden gates that lead toward hell.

            I would respect the makers of this movie more if they would have not mentioned Toad Road at all, it is such a miniscule part of the actual movie that I believe the sole purpose of even mentioning it in the movie’s description is to make this movie seem more interesting than it really is.
           
            I read somewhere on the internet that the movie was kind of a nod to Gus Van Sant movies, and had I known that I much more likely would not have watched this movie. I am not a Gus Van Sant fan, so the idea of someone trying to be like him and mimic his style of gritty and in your face picture of reality sounds even more not-my-thing.
           
            All of that aside, I knew none of that. My wife and I, going off the description, were expecting a horror movie. To be fair, Netflix does not have this as a horror but an independent experimental thriller, which we may have glossed over, choosing to center more on the gates of hell aspect of the movie. That would be our bad, but again, that’s the joy of Netflix; not sure about the movie, just give it a try, no good? Move on to the next one.

            We watched maybe 20 or 30 minutes of the beginning. Nothing but drug addicted young people living on their own, partying! Awesome!

            Ever been to a party where you don’t know anyone? That’s what this was like, there’s no getting to know these people. You see the main character guy at a therapy session but you learn nothing about him. We don’t know any of these people (and maybe that’s because in our own lives we’ve never known people like this, maybe your younger drug addicted doppelgangers would like and understand the people in this movie and in turn enjoy the movie) so we don’t care about them.

            Still, the idea of watching this guy and girl who we do not care about or particularly like make their way towards Hell was entertaining.

            Unfortunately, like the rest of the movie, it was not. At all.

            The first minute they started eating mushrooms I knew the movie would have no pay off. I felt it. The rest of the movie would be a meandering mess of weird visions and “is this real?” type of situations with flashes of the main characters covered in blood and just all around images that are meant to disturb but were only dull.
           
            As I said, I read some information on the movie and found out that the main female character passed away not long after the film was completed.

           Sara Anne Jones was 24 years old when she died on September 4, 2012. Knowing this makes me think about possibly going back and watching more of the movie. I could easily believe that had she moved away from “gritty” movies like this her career would have been a major one, especially with her also being a writer. She seemed like a cool enough kid, although the sort of people she was hanging out with – who may be perfectly nice – were maybe just not the right people for her to be spending time with.

            I could see how someone somewhere would enjoy this movie, but for me, I find it interesting only in the fact that it could have really started the career of Sara Anne Jones, and it’s worth watching just for her and how comfortable she was in front of the camera, and how she expressed so much emotion through her eyes and face.

            The movie is more of a drama, with no thrills or horror, just a sad highlight of a group of kids lost among themselves and their own more powerful demons, and all of it done in such a way that we can not relate to any of them, which may be the saddest part of all.